{"id":222,"date":"2015-03-01T14:14:46","date_gmt":"2015-03-01T14:14:46","guid":{"rendered":"http:\/\/classicalguitarrocks.com\/cgr\/?p=222"},"modified":"2015-03-01T14:49:03","modified_gmt":"2015-03-01T14:49:03","slug":"orange-legato-workout","status":"publish","type":"post","link":"https:\/\/classicalguitarrocks.com\/cgr\/orange-legato-workout\/","title":{"rendered":"Orange Legato Workout"},"content":{"rendered":"<p class=\"western\">This short Orange <a class=\"zem_slink\" title=\"Legato\" href=\"http:\/\/en.wikipedia.org\/wiki\/Legato\" target=\"_blank\" rel=\"wikipedia\">legato<\/a> workout, inspired by <i>Concerto De Aranjuez<\/i>, is designed to work all finger combinations in a <em>moto perpetuo<\/em> slurring exercise. It is split into 4 bar sections with each section concentrating on common left hand combinations.<\/p>\n<p class=\"western\">This workout is based upon the end run of first short cadenza from movement one of <a class=\"zem_slink\" title=\"Joaqu\u00edn Rodrigo\" href=\"http:\/\/en.wikipedia.org\/wiki\/Joaqu%C3%ADn_Rodrigo\" target=\"_blank\" rel=\"wikipedia\">Rodrigo<\/a>&#8216;s <i>Concerto De Aranjuez<\/i>. It is all about working common left hand finger combinations in one exercise. It starts obviously and then adds in split combinations. Depending on your own personal routine, these will test whether you are able to integrate all possible finger combinations fluidly<strong>.<\/strong><\/p>\n<p class=\"western\">Best way to approach this workout is to start slow until memorized and then ratchet it up each day until you have your desired speed. The more relaxed you are at slower tempos the easier it will be to execute at higher speeds. So remember this motto:<\/p>\n<p class=\"western\" style=\"text-align: center;\"><strong>Slowly &amp; Perfectly<\/strong><\/p>\n<p class=\"western\">The workout is structured so that each section goes through a mode based on the root note &#8211; <strong>A<\/strong>.<\/p>\n<p class=\"western\">and they are as follows:<\/p>\n<ul>\n<li>\n<p class=\"western\"><a title=\"Aeolian Mode\" href=\"http:\/\/en.wikipedia.org\/wiki\/Aeolian_mode\" target=\"_blank\">Aeolian<\/a> Fingers: 124<\/p>\n<\/li>\n<li>\n<p class=\"western\"><a class=\"zem_slink\" title=\"Mixolydian mode\" href=\"http:\/\/en.wikipedia.org\/wiki\/Mixolydian_mode\" target=\"_blank\" rel=\"wikipedia\">Mixolydian<\/a> Fingers: 134<\/p>\n<\/li>\n<li>\n<p class=\"western\"><a class=\"zem_slink\" title=\"Dorian mode\" href=\"http:\/\/en.wikipedia.org\/wiki\/Dorian_mode\" target=\"_blank\" rel=\"wikipedia\">Dorian<\/a> Fingers: 134; 124<\/p>\n<\/li>\n<li>\n<p class=\"western\">Mixolydian b6 Fingers: 124; 134<\/p>\n<\/li>\n<\/ul>\n<p class=\"western\"><strong>Remember when executing:<\/strong><\/p>\n<p class=\"western\">Pull-offs are really just left hand plucks downwards and that <a class=\"zem_slink\" title=\"Hammer-on\" href=\"http:\/\/en.wikipedia.org\/wiki\/Hammer-on\" target=\"_blank\" rel=\"wikipedia\">hammer-ons<\/a> require precision and speed, not strength. Here is a <a title=\"Aranjuez youtube\" href=\"https:\/\/www.youtube.com\/watch?v=r2Xdlgii-Rc\" target=\"_blank\">Video Link<\/a> to\u00a0the concerto performed live for the BBC proms in 2011 with <a title=\"John Williams Site\" href=\"http:\/\/www.johnwilliamsguitarnotes.com\/\" target=\"_blank\">John Williams<\/a> playing guitar : <strong>2&#8217;44&#8221; <\/strong>is the inspiration point for this workout.<\/p>\n<p class=\"western\">Free download of the Workout.<\/p>\n<p class=\"western\"><a href=\"https:\/\/classicalguitarrocks.com\/cgr\/?ddownload=255\" title=\"Download\" rel=\"nofollow\" class=\"ddownload-button button-blue id-255 ext-pdf\">Download<\/a><\/p>\n<h3 class=\"zemanta-related-title\" style=\"margin: 0 0 10px 0; padding: 0; clear: both;\">Related articles across the web<\/h3>\n<ul class=\"zemanta-article-ul zemanta-article-ul-image\" style=\"margin: 0; padding: 0; overflow: hidden;\">\n<li class=\"zemanta-article-ul-li-image zemanta-article-ul-li\" style=\"padding: 0; background: none; list-style: none; display: block; float: left; vertical-align: top; text-align: left; width: 104px; font-size: 12px; margin: 0 5px 10px 0;\"><a style=\"padding: 2px; display: block; text-decoration: none;\" href=\"http:\/\/www.clevescene.com\/scene-and-heard\/archives\/2015\/02\/27\/cleveland-classical-guitar-society-a-conversation-with-gaelle-solal\" target=\"_blank\"><img decoding=\"async\" style=\"border-radius: 3px; box-shadow: 0 1px 4px rgba(0, 0, 0, 0.2); padding: 0; margin: 0; border: 0; display: block; width: 100px; max-width: 100%;\" src=\"http:\/\/i.zemanta.com\/329429251_150_150.jpg\" alt=\"\" \/><\/a><a style=\"display: block; overflow: hidden; text-decoration: none; line-height: 12pt; height: 80px; padding: 5px 2px 0 2px;\" href=\"http:\/\/www.clevescene.com\/scene-and-heard\/archives\/2015\/02\/27\/cleveland-classical-guitar-society-a-conversation-with-gaelle-solal\" target=\"_blank\">Cleveland Classical Guitar Society: A Conversation With Ga\u00eblle Solal<\/a><\/li>\n<li class=\"zemanta-article-ul-li-image zemanta-article-ul-li\" style=\"padding: 0; background: none; list-style: none; display: block; float: left; vertical-align: top; text-align: left; width: 104px; font-size: 12px; margin: 0 5px 10px 0;\"><a style=\"padding: 2px; display: block; text-decoration: none;\" href=\"http:\/\/fox8.com\/2015\/02\/05\/fox-8-jukebox-jason-vieaux\/\" target=\"_blank\"><img decoding=\"async\" style=\"border-radius: 3px; box-shadow: 0 1px 4px rgba(0, 0, 0, 0.2); padding: 0; margin: 0; border: 0; display: block; width: 100px; max-width: 100%;\" src=\"http:\/\/i.zemanta.com\/326568409_150_150.jpg\" alt=\"\" \/><\/a><a style=\"display: block; overflow: hidden; text-decoration: none; line-height: 12pt; height: 80px; padding: 5px 2px 0 2px;\" href=\"http:\/\/fox8.com\/2015\/02\/05\/fox-8-jukebox-jason-vieaux\/\" target=\"_blank\">Fox 8 Jukebox: Jason Vieaux<\/a><\/li>\n<li class=\"zemanta-article-ul-li-image zemanta-article-ul-li\" style=\"padding: 0; background: none; list-style: none; display: block; float: left; vertical-align: top; text-align: left; width: 104px; font-size: 12px; margin: 0 5px 10px 0;\"><a style=\"padding: 2px; display: block; text-decoration: none;\" href=\"http:\/\/www.industrytap.com\/master-guitar-maker-eitan-bartals-short-documentary-shows-takes-handcraft-instruments\/26618\" target=\"_blank\"><img decoding=\"async\" style=\"border-radius: 3px; box-shadow: 0 1px 4px rgba(0, 0, 0, 0.2); padding: 0; margin: 0; border: 0; display: block; width: 100px; max-width: 100%;\" src=\"http:\/\/i.zemanta.com\/328873209_150_150.jpg\" alt=\"\" \/><\/a><a style=\"display: block; overflow: hidden; text-decoration: none; line-height: 12pt; height: 80px; padding: 5px 2px 0 2px;\" href=\"http:\/\/www.industrytap.com\/master-guitar-maker-eitan-bartals-short-documentary-shows-takes-handcraft-instruments\/26618\" target=\"_blank\">Master Guitar Maker, Eitan Bartal&#8217;s Short Documentary Shows What It Takes to Handcraft Instruments<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>This short Orange legato workout, inspired by Concerto De Aranjuez, is designed to work all finger combinations in a moto perpetuo slurring exercise. It is split into 4 bar sections<\/p>\n<p><a href=\"https:\/\/classicalguitarrocks.com\/cgr\/orange-legato-workout\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\">Orange Legato Workout<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":228,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_s2mail":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[2],"tags":[49,23,51,48,52,50,53],"class_list":["post-222","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lesson","tag-aranjuez","tag-cgrocks","tag-classical-guitar","tag-concerto","tag-legato","tag-rodrigo","tag-slurring"],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/02\/Still-Life-J.-Van-Hulsdonck.jpg","_links":{"self":[{"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/posts\/222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/comments?post=222"}],"version-history":[{"count":22,"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/posts\/222\/revisions"}],"predecessor-version":[{"id":4512,"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/posts\/222\/revisions\/4512"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/media\/228"}],"wp:attachment":[{"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/media?parent=222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/categories?post=222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/tags?post=222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}