{"id":633,"date":"2015-11-23T20:49:58","date_gmt":"2015-11-23T20:49:58","guid":{"rendered":"http:\/\/classicalguitarrocks.com\/cgr\/?p=633"},"modified":"2015-11-23T20:53:23","modified_gmt":"2015-11-23T20:53:23","slug":"classical-guitar-magazine","status":"publish","type":"post","link":"https:\/\/classicalguitarrocks.com\/cgr\/classical-guitar-magazine\/","title":{"rendered":"Classical Guitar Magazine"},"content":{"rendered":"<p>Have you got the Winter 2015 edition of the all new <em>Classical Guitar Magazine<\/em>?<\/p>\n<p><a href=\"http:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-14-44.jpeg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-large wp-image-642\" src=\"http:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-14-44-1024x765.jpeg\" alt=\"Classical Guitar Magazine Winter 2015\" width=\"640\" height=\"478\" srcset=\"https:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-14-44-1024x765.jpeg 1024w, https:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-14-44-300x224.jpeg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>If so apart from the amazing articles on <a href=\"http:\/\/pablovillegas.com\/en\/\" target=\"_blank\">Pablo Villegas<\/a>, and <a href=\"http:\/\/www.xuefeiyang.com\/\" target=\"_blank\">Xuefei Yang<\/a> there is a load of guitar porn from the <a href=\"http:\/\/harrisguitarfoundation.org\/\" target=\"_blank\">Harris Collection<\/a> within the San Francisco\u00a0 <a href=\"http:\/\/www.sfcm.edu\/\" target=\"_blank\">Conservatory of Music<\/a>.<\/p>\n<p>You may have also noticed that our Guitar Editor <a href=\"http:\/\/www.rhaynjooste.co.uk\/\" target=\"_blank\">Rhayn Jooste<\/a> has contributed an article for it.<\/p>\n<p><a href=\"http:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-14-08.jpeg\"><img decoding=\"async\" class=\"aligncenter size-large wp-image-641\" src=\"http:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-14-08-1024x765.jpeg\" alt=\"Classical Guitar Magazine a\" width=\"640\" height=\"478\" srcset=\"https:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-14-08-1024x765.jpeg 1024w, https:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-14-08-300x224.jpeg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>Entitled <em>Evolution of the <a class=\"zem_slink\" title=\"Barre chord\" href=\"http:\/\/en.wikipedia.org\/wiki\/Barre_chord\" target=\"_blank\" rel=\"wikipedia\">Barre chord<\/a><\/em>, the article delves into the various barre chords from the normal shapes such as E or A to more exotic shapes such as hinge and cross barres.<\/p>\n<p><a href=\"http:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-13-42.jpeg\"><img decoding=\"async\" class=\"aligncenter size-large wp-image-640\" src=\"http:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-13-42-1024x765.jpeg\" alt=\"Classical Guitar Magazine b\" width=\"640\" height=\"478\" srcset=\"https:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-13-42-1024x765.jpeg 1024w, https:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-13-42-300x224.jpeg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>It has a fair few examples from Bach to Barrios to highlight the practical use of each barre.<\/p>\n<p><a href=\"http:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-12-25.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-639\" src=\"http:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-12-25-1024x765.jpeg\" alt=\"Classical Guitar Magazine c\" width=\"640\" height=\"478\" srcset=\"https:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-12-25-1024x765.jpeg 1024w, https:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-12-25-300x224.jpeg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>If you are not too sure what these are and would like to know more, follow the link below and grab your self a copy. This article literally has something interesting for all abilities and is worth a read.<\/p>\n<p>&nbsp;<\/p>\n<p>[button font_size=&#8221;20&#8243; color=&#8221;#c8232b&#8221; text_color=&#8221;#ffffff&#8221; icon=&#8221;external-link-square&#8221; url=&#8221;http:\/\/classicalguitarmagazine.com\/&#8221; width=&#8221;&#8221; target=&#8221;_blank&#8221;]Classical Guitar Mag Site[\/button]<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"zemanta-related-title\" style=\"margin: 0 0 10px 0; padding: 0; clear: both;\">Related articles across the web<\/h3>\n<ul class=\"zemanta-article-ul zemanta-article-ul-image\" style=\"margin: 0; padding: 0; overflow: hidden;\">\n<li class=\"zemanta-article-ul-li-image zemanta-article-ul-li\" style=\"padding: 0; background: none; list-style: none; display: block; float: left; vertical-align: top; text-align: left; width: 104px; font-size: 12px; margin: 0 5px 10px 0;\"><a style=\"padding: 2px; display: block; text-decoration: none;\" href=\"http:\/\/www.theawl.com\/2015\/09\/patrick-higgins-bach-prelude-violin-partita-no-3-bwv-1006\" target=\"_blank\"><img decoding=\"async\" style=\"border-radius: 3px; box-shadow: 0 1px 4px rgba(0, 0, 0, 0.2); padding: 0; margin: 0; border: 0; display: block; width: 100px; max-width: 100%;\" src=\"http:\/\/i.zemanta.com\/363526681_150_150.jpg\" alt=\"\" \/><\/a><a style=\"display: block; overflow: hidden; text-decoration: none; line-height: 12pt; height: 80px; padding: 5px 2px 0 2px;\" href=\"http:\/\/www.theawl.com\/2015\/09\/patrick-higgins-bach-prelude-violin-partita-no-3-bwv-1006\" target=\"_blank\">Patrick Higgins, &#8220;Bach: Prelude &#8211; Violin Partita No. 3 BWV 1006&#8221;<\/a><\/li>\n<li class=\"zemanta-article-ul-li-image zemanta-article-ul-li\" style=\"padding: 0; background: none; list-style: none; display: block; float: left; vertical-align: top; text-align: left; width: 104px; font-size: 12px; margin: 0 5px 10px 0;\"><a style=\"padding: 2px; display: block; text-decoration: none;\" href=\"http:\/\/www.npr.org\/2015\/09\/18\/441454885\/sharon-isbin-on-song-travels\" target=\"_blank\"><img decoding=\"async\" style=\"border-radius: 3px; box-shadow: 0 1px 4px rgba(0, 0, 0, 0.2); padding: 0; margin: 0; border: 0; display: block; width: 100px; max-width: 100%;\" src=\"http:\/\/i.zemanta.com\/362988692_150_150.jpg\" alt=\"\" \/><\/a><a style=\"display: block; overflow: hidden; text-decoration: none; line-height: 12pt; height: 80px; padding: 5px 2px 0 2px;\" href=\"http:\/\/www.npr.org\/2015\/09\/18\/441454885\/sharon-isbin-on-song-travels\" target=\"_blank\">Sharon Isbin On Song Travels<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Have you got the Winter 2015 edition of the all new Classical Guitar Magazine? If so apart from the amazing articles on Pablo Villegas, and Xuefei Yang there is a<\/p>\n<p><a href=\"https:\/\/classicalguitarrocks.com\/cgr\/classical-guitar-magazine\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\">Classical Guitar Magazine<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":642,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_s2mail":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[12,24],"tags":[141,23,142,140,143,144,22],"class_list":["post-633","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature","category-spotlight","tag-barre","tag-cgrocks","tag-chord","tag-classical-guitar-magazine","tag-method","tag-print","tag-rhayn-jooste"],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/classicalguitarrocks.com\/cgr\/wp-content\/uploads\/2015\/11\/File-23-11-2015-20-14-44.jpeg","_links":{"self":[{"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/posts\/633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/comments?post=633"}],"version-history":[{"count":7,"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/posts\/633\/revisions"}],"predecessor-version":[{"id":647,"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/posts\/633\/revisions\/647"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/media\/642"}],"wp:attachment":[{"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/media?parent=633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/categories?post=633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarrocks.com\/cgr\/wp-json\/wp\/v2\/tags?post=633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}